Published on February third, 2021
“Passing” follows the surprising reunion of two highschool buddies, whose renewed acquaintance ignites a mutual obsession that threatens each of their rigorously constructed realities.
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In the mid-Nineteen Twenties, budding author Nella Larsen set her eyes on becoming a member of the ranks of the rising “New Negro” writers spilling out of the Harlem Renaissance like Rudolph Fisher, Zora Neale Hurston, Langston Hughes, and their chief and mentor Alain Locke.
The Chicago native even relocated from New Jersey to Harlem to higher place herself — and her husband, trailblazing physicist Elmer Imes — within the coronary heart of the cultural motion.
Review: The Guardian
There’s an excessive amount of early promise to actor Rebecca Hall’s directorial debut, an formidable adaptation of Nella Larsen’s much-loved and much-studied 1929 novel Passing, the form of ardour mission that will most historically be a film-maker’s sophomore effort (after one thing smaller and private to show one’s means).
Review: Screen Daily
A psychologically wealthy character research that slowly builds in stress till it turns into practically insufferable, Passing is the assured characteristic debut of BAFTA-winning actress Rebecca Hall, who crafts a narrative about two girls who see in one another one thing they need for themselves.
This adaptation of Nella Larsen’s 1929 novel focuses on the difficulty of “passing” — the place an individual categorised as a member of 1 racial group is accepted (”passes”) as a member of one other.
Exquisite performances from Tessa Thompson and Ruth Negga present the pulsing, emotionally heightened middle to Passing, Rebecca Hall’s assured transfer behind the digicam, tailored with nice sensitivity from the 1929 novel by Harlem Renaissance writer Nella Larsen.
“We’re all of us passing for something or other, aren’t we?” muses Thompson’s melancholy character Irene Redfield. This is a dreamily atmospheric evocation of Nineteen Twenties New York, its bursts of Jazz Age exuberance offset by the contained menace of individuals being unmasked.