The Kingdom Hearts sequence could also be a beloved success, however there was a time when Square Enix needed to persuade Disney to allow them to work with so many beloved properties. While the pitch course of was principally clean, Disney did place one main limitation on Mickey Mouse.
“Actually, due to contractual issues, we were only able to use him in one scene,” mentioned Kingdom Hearts director Tetsuya Nomura within the Kingdom Hearts Ultimania e-book. “Disney gave us permission for a role such as waving from the back of a crowd of people in town, but if we were going to use him, I thought we should use him in a single shot to leave the greatest impression.”
The shot that Nomura is referring to occurs close to the very finish of Kingdom Hearts. It is then that we lastly see Mickey Mouse (or at the very least the again of him) as he helps Sora shut the door to Kingdom Hearts. We’d say that is actually higher than seeing Mickey wave from the again of a crowd even when it is not fairly the position many followers imagined for the enduring character when Kingdom Hearts was first introduced.
What’s much less clear is why Disney positioned such a noticeable restriction on Mickey Mouse. The widespread idea is that Mickey is actually the corporate’s world icon at this level and that they must be very cautious about how that icon is used.
It all labored out ultimately, although. Not solely was the usage of Mickey Mouse in Kingdom Hearts fairly efficient, however the success of the sport led to Disney giving the Kingdom Hearts staff the inexperienced gentle to function Mickey extra prominently in future titles (together with the very promising Kingdom Hearts III). Mickey has arguably turn into one of many principal characters at this level within the sequence.
That’s not the one company hurdle that Square Enix has needed to overcome. A full report on the character of the Kingdom Hearts/Disney relationship reveals that Pixar’s involvement was reportedly delayed by former Disney CEO Michael Eisner’s dangerous relationship with Pixar. Fortunately, his resignation led to Disney loosening the artistic restrictions on Pixar properties.
Matthew Byrd is a employees author for Den of Geek. He spends most of his days making an attempt to pitch deep-dive analytical items about Killer Klowns From Outer Space to an more and more perturbed sequence of editors. You can learn extra of his work right here or discover him on Twitter at @SilverTuna014.