Inside the Workspace of Audiovisual Designer Love Hultén

As a child, Swedish product designer and builder Love Hultén obsessed over circuits. “I used to tear electronic toys apart, trying to understand their insides,” he says. Hultén attended the native design college in his native Gothenburg and, whereas there, found his true calling within the woodshop. The circumstances he crafted have been an ideal complement to the inventive digital tasks he’d been experimenting with since his youth. Hultén went on to a profession making expressive and tactile synthesizers, retro-inspired recreation consoles, and different really funky audiovisual contraptions that mix the natural and the digital.

Erika Svensson

Studio Space

Hultén’s studio is positioned in a Gothenburg neighborhood known as Konstepidemin. The buildings have been initially constructed to deal with the sick and dying throughout mid-1800s cholera epidemics. “My studio is in the basement where the nurses used to do laundry, I think,” Hultén says. “Could be worse, I guess. I have a sculptor friend who’s in the old crematorium.”

Erika Svensson

Family Ties

The hulking inexperienced band noticed and desk noticed in Hultén’s workshop have been handed down from his father, a cabinetmaker. These every day drivers are outdated and heavy, so he retains them on wheels. “Mobility is mandatory in a small workshop like mine,” Hultén says. “I hold nearly every thing on wheels … I imply every thing.”

Erika Svensson

Tool Array

Hultén retains his white device cupboard meticulously organized, a necessity in his small area. “It gets messy real quick,” he says. “I’m not a big fan of hunting down screw bits lost in the haystack.” While Hultén has many hand instruments, he says his L squares are indispensable. His outdated reducing machines are “a bit rusty” and might’t actually be trusted to maintain issues true.

Erika Svensson

Cut Creator

Hultén prefers this laser cutter to a 3-D printer, as a result of it delivers strains which can be extra exact. “I tried a 3-D printer once, got bad finishing results, and never used one again.” Among different issues, Hultén makes use of the cutter to trend the steel management panels that screw onto the faces of his creations.

Erika Svensson

Lego Set

Hultén pays homage to the world’s most well-known brick with an oddball suite of digital toys. His Brix System is comprised of a collection of 6:1 scale variations of Lego blocks. There are a few synthesizers, an results machine, a speaker, a microphone, two easy computer systems for enjoying video games, and even a phone.

Erika Svensson

Key Player

This tiny synthesizer design—the hyper-­moveable Bivalvia—has a built-in speaker. It is available in a picket clamshell housing that appears like a jewellery field, and as a substitute of keys it has Cherry MX switches like these present in a mechanical laptop keyboard.

Erika Svensson


Hultén’s Noistation would look and sound completely at house onstage with Phoenix or Radiohead. The mahogany case homes a programmable {hardware} synth managed by a three-­octave keyboard. The faders on the face regulate frequencies and modulate the synth filters. The tones that come out of the 40-watt speaker vary from chilly and plinky to lush and fuzzy. Want one? PayPal Hultén $3,000, plus delivery from Sweden.

Erika Svensson

Assembly Line

Hultén builds each product by hand, even soldering circuits at this desk. “I design, I build, I polish, I assemble, and I even make the packaging—it’s my own isolated chain,” he says. Some of his tasks contain dozens of components and greater than 100 solder factors, however he insists on laboring solo. “Like most craftsmen, I’m obsessed with control and don’t trust people.”

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